Though featuring slightly different GUIs and fewer features than the Ozone 4 modules (the absent MBIT+ dithering is actually included in the main Sound Forge Process menu), they're certainly from the same stock and yield extremely similar results when loaded into an Ozone-esque plug-in chain. It's no surprise, then, that the processors offer great quality and are thoroughly suitable for the majority of mastering situations. Sound forge mastering effects (opens in new tab) In fact, the contained effects read almost identically to the module list from Ozone: Mastering EQ, Mastering Reverb, Multiband Compressor, Mastering Exciter, Mastering Imager and Mastering Limiter. This is provided by audio wizards iZotope, makers of the excellent Ozone 4. New effects include a Resonant Filter plug-in (which is exactly what you'd expect) and the iZotope Mastering Effects Bundle 2. SF10 contains over 40 effects and still comes with the Noise Reduction 2 package, which is a helpful set of tools for restoring poor-quality recordings. And if you just want to convert from one sample rate to another, the new iZotope 64-bit SRC function will do this for you with no discernible artifacts.

It does exactly what you'd hope, changing the pitch and/or time of your musical source with minimal artifacts. SF10 boasts the addition of zplane's tried-and-tested élastique Pro timestretching and pitchshifting plug-in. Previous versions of Sound Forge included the Sony Time Stretch effect, which gave mixed results, often suffering from nasty flanging side effects.

Sound forge pro 13 review